Kiff vibes for a well-known psalm
The South African Jewish community received a special Shabbat “gift” on the first Friday of 2022, when David Scott (better known as The Kiffness) released his latest remix on 7 January. Taking a joyful rendition of the psalm Im Hashem Lo Yivneh Bayis by the Shira Choir, the South African musician added his own beats and even a cameo of a cat, to take it to new heights.
For many, it was a delight to see such a celebrated South African performer embrace Jewish music and bring it to his diverse and global audience.
What’s more, Scott released the song online just hours before his wife gave birth to their first child. “It’s been a crazy day,” he told the Cape Town Hebrew Congregation (Gardens Shul) pre-Shabbat Zoom session, where he was a special guest. The shul’s chazan, Choni Goldman (Choni G), had provided invaluable advice to Scott as he worked with the song and then invited him to join the community online.
When Scott shared that his wife had just gone into labour, Gardens Shul Rabbi Osher Feldman blessed the musician and his family. He also thanked him for showing that music can bring people together.
Making time to speak to the SA Jewish Report from the hospital after his son was born, Scott explained how the remix came about. “Most of my remixes start with fans messaging me on Instagram, Facebook, or email. This particular video of the Shira Choir (who are based in Brooklyn, New York) popped up in my inboxes a couple of times, so I checked it out and was instantly hooked and amazed by the wonderful music.”
He says that the choir was aware that he was working with its music. “Whenever I embark on a collaboration of this nature, I always reach out to the original artist[s], introduce myself, tell them what I do, and ask if they would be okay with me doing a remix. I sent them an early draft of the remix I was busy working on. I was very glad to hear that they liked it! The rest was history.”
“The original is already a masterpiece on its own. My remix just injects a bit more chutzpah into the song,” he says.
The response to the remix has been hugely positive. Asked why he thinks this is the case, Scott says, “Music is a universal language, and people recognise and resonate with good music regardless of where it comes from. But I do think there’s something special about this song. I feel as if the composer tapped into something much bigger than ourselves when he wrote the melody, as did David when he wrote The Song of Solomon (Psalm 127).”
The lyrics translate as, “Unless the Lord builds the house, the builders labour in vain. Unless the Lord watches over the city, the guards stand watch in vain. Indeed, he who watches over Israel will neither slumber nor sleep. Guardian of Israel.”
“The song resonates because it’s a gentle reminder that everything we build is in vain unless it is built upon solid principles,” he says. “I have always believed that anything that’s difficult now will make life easier in the long run, and anything that’s easy now will make life harder in the long run. We live in a society where instant gratification is rife, so it was refreshing to hear David’s psalm in the context of music. Music has a way of making truth more digestible.”
Though the response has been overwhelmingly positive, “unfortunately there have been a few negative comments”, he says. “My response is always either to ignore them, block them, or if I’m up to it, respond in kindness. The few nasty comments I have seen, I‘ve decided to block.”
On working with Goldman, Scott says, “I know Choni G through performing at Barmitzvahs, Batmitzvahs, and weddings together. When I began remixing the song, I wanted to make sure I had all the right translations and transliterations in place. I knew Choni could help me, but what I didn’t know was how gracious he would be with his time and willingness to help. What a guy!”
For his part, Goldman told the SA Jewish Report that “Dave messaged me asking if I know the song, saying people had sent it to him asking to remix it, and he digs it. I told him, ‘Go for it!’ I knew the choir, and pointed out that the verses are from Psalms. Dave is a super talented guy. He didn’t need my help! But wherever I thought I could help out from a Jewish perspective, or just by being a soundboard for him, I did.
“Over the next two weeks while he remixed it we were in touch with various things,” says Goldman. “This ranged from giving my take on subtleties, how people might receive it, to helping with translations, transliteration, and Hebrew text, and putting him in touch with the right people in New York to license the song. The remix is great, and I’m a big fan of his work. I’d love to work on something together at some point. I’m sure we will.”
Scott says that joining the Gardens Shul pre-Shabbat Zoom session was “really great. It was very special to receive such a wonderful blessing from the rabbi before heading to the hospital as we prepared for the delivery of our first-born son.”
Asked if he would work with more Jewish music in future, he says, “I’m open to all kinds of music as long as it resonates with my spirit. This particular song resonated with me deeply, and maybe it will open more doors to working with more Jewish music in the future.”
He says the community can support him by simply subscribing to his YouTube channel. “You will be notified of my upcoming videos. Every view helps me to keep an income and to continue what I enjoy doing.”
To the South African Jewish community, he says, “I’d like to thank you from the bottom of my heart for the warm reception to the song. It was a leap of faith on my part [as a Christian] to work with music outside of my own faith, but I’m glad I stepped out of my comfort zone and went for it. I did find comfort in knowing that the Psalms are celebrated in both faiths and essentially point toward the same thing, which is G-d. So with that in mind, I had a gut feeling that it would work out, and I’m glad I was right. I have nothing but love and respect for my Jewish brothers and sisters.”